One thing I enjoy about my job, is that I get a lot of email. (I will probably get a lot of email about this comment--most of it pointing out that I must be sick to feel this way!) With 50+ employees, 1600 artists, 100+ distribution partners, and more than 200,000 customers, there seems to always be someone who has something interesting to say. Plus, I get the normal smattering of newsletters and ideas from friends and family.
(By the way, this article from Emaillabs suggests that an average American is currently getting about 20,000 emails per year. That is about 55 emails per day. In comparison, I am getting about 500, plus around another 1,000 spam emails.)
I thought I'd share emails that touch two topics I get asked about, often--why don't we use more keywords and what should a new young artist do, re the stock business. (FYI, I asked permission to reprint these, along with my response.)
TOPIC 1--WHY DON'T YOU USE MORE KEYWORDS?
Dear Bahar,
I have read your articles on dimdump with interest. One thing I have to say about the Index Site is that the Key Wording is very minimal.
There are not enough Key Words to keep the search down to a reasonable number of images the buyer is willing to look at.I think the Key Wording should be expanded.
Also I think it takes too long to get a response after I suggest additional Key Words to new images put up on the site.
With regards,
Thomas Winz
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(Thomas is a great concept shooter, among other things. One of his images is currently featured on our home page rotation. Click on his name above to see all of the images he has with us and click here to see the one we are currently featuring.)
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Dear Thomas,
Thanks for the feedback. Keywording is one of my passions, as it has a huge effect on search quality and on our ability to deliver the "right" image to our customer.
You are right that we use fewer keywords than our competitors. There are several reasons for this:
1. Our research shows that our visitors use a very narrow range of keywords. I suppose this relates to the general collapse of the English language into a smaller and smaller vocabulary. (Try using any word of more than three syllables in general conversation!) More than 90% of the searches we receive are composed of one or more of about 10,000 words. There is no reason to make keywording more difficult and time consuming by expanding the number of keywords, if no one will ever use the extra words.
2. Many of our competitors "expand" their entries, by adding variants of the basic words. Instead, we analyze the search request and reduce it to match our keyword set. For instance, we process "happier," "happiness," and "happy" to the "stem" of "happy." We transform "USA," "US," and "United States" to the "stem" of "United States of America." This allows one keyword on an image to match many different entered terms.
3. We search both keywords and captions. Therefore, we leave truly unique descriptors for our images, in the caption. These would include a person's name, a specific place name, a scientific name for an animal, etc. A match on one of these caption terms is given very large weight in our search engine.
4. Many of our images have very similar content. We have a lot of people playing with their children. No amount of additional keyword entry on the tiny differences in the images would help the average searcher. Instead, we find that most enter broad generic terms (the single word "people" is our most popular search) and then page through hundreds and in some cases, thousands of images. In a sense, our keywording effort is often wasted.
If you suggest a keyword, we go through a reasonably rigorous process, as follows:
1. We look to see if we already have a closely related "stem." If we do, we attach your suggestion to that word.
2. We look to see if the word has general use. For instance, has it been requested/used by searchers on our site, in the recent past? We do not want to add words that are too narrow.
3. We make sure that we have at least five images from at least two different photographers, that would deserve the proposed word. If we don't, we will not provide our user with the image and style range that he/she has come to expect.
Even so, we try to make keyword additions regularly and you should see any accepted words go live on our site within a month of your suggestion. Can you send me an example of some past suggestions, so I can investigate further? Unfortunately, in my experience, no business system remains functional, without constant supervision.
Bahar
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TOPIC 2--COULD YOU LOOK AT THIS BRIGHT YOUNG ARTIST AND TELL ME IF HE (OR SHE) SHOULD TRY TO GET INTO STOCK?
(This email is from one of my cousins, who used to be a top publishing executive. She and her husband have retired and now tour around the country in a mobile home--teaching other people how to convert their lives into mobile mode. Their book, First We Quit Our Jobs : How One Work Driven Couple Got on the Road to a New Life, is both informative, well-written, and hilarious. I highly recommend it to anyone who is thinking about this approach to life.)
Hi Bahar --
I'm just going through the website, www.avikennyphotography.com, of a young
(16 year old) fellow we know and wondered what your professional opinion of his work is.
Hope you and your wife are well and have a happy '05. And, that we get to see each other!
Regards,
Marilyn
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Dear Marilyn,
His work is pretty good.
Best part is his bird work. Hard to get clear exposure and color. He has captured the expressions on the birds well.
Flowers are also good. Fly in the macro section would be great, if it was all in focus. Water drop has a reflection, but is the right idea.
So, per his work as art--photography, pretty good. Per his work as art--business potential, it is weaker. Biggest reason is that the biggest opportunity is in people and lifestyle stuff. We do license landscapes and animals and flowers...but he is facing more competition there and the prices are lower. (More competition, because so many people do it and have done it so long! For every country he can get to, there are people 50 years old who have been there ten times and covered every subject they can think of.)
Here are his choices (as I know them):
1. Try to see if a commercial stock agency will agree to represent him. He should probably follow this path, no matter what. No harm done, if they reject him. Some nice earnings opportunity if they accept him. Plus, an agency will probably only want 1% to 5% of his images, so he will retain his other options.
2. Look for publishing opportunities, on his own. There are a number of newsletters and lists circulated, that he can look at. The problem is that most of the prices are low and some of the "buyers" are not 100% ethical. He may find his work was used, without payment, and have to go through the hassles of trying to collect. The best options are probably calendar companies, greeting card companies, etc. They don't pay much, but the bigger ones have whole staffs devoted to looking at potential contributor images.
3. Build his own on-line gallery and start selling posters. Again, this option shouldn't be excluded by the others. One easy place to go is www.art.com. We have a gallery there and I can testify that they generate good traffic for material like his. I think it would only cost $100 or so, to set up the site. More work for him than having someone else do it, and no guarantee of a profit. But, it is a way to test the water and see where things might head.
Hope this is helpful. If he'd like his "portfolio" reviewed by us, well, you have an "in." Have him email me and I'll forward it to an editor for evaluation.
Bahar
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